- TOON BOOM STUDIO REVIEWS PDF
- TOON BOOM STUDIO REVIEWS SOFTWARE
- TOON BOOM STUDIO REVIEWS PROFESSIONAL
They insisted that whatever they created for the Web have precise mouth positions and movement. Cartman is funny not just because of what he says but also because of how he says it. Matt and Trey swore by the importance of timing. They wanted to be certain the work they produced would be true to their vision, no matter what the circumstance. Facilitating AccuracyĪccuracy was a major concern for all of the Hollywood talent, especially during initial development. This must be how designers feel when they use Flash! Toon Boom Studio can still output to a format usable in Macromedia Flash, allowing one to add layers of interactivity. Not to mention it just feels more like an animation tool, with a rotating light table, exposure sheets and onion skinning.
TOON BOOM STUDIO REVIEWS SOFTWARE
Designed by Toon Boom Technologies, this well-focused software offers increased drawing accuracy, better lip synching, 3D scene planning and camera effects. Toon Boom Studio was created for animators and serves as an ideal supplement to Flash. It was not created with the animator in mind.
However, Flash is primarily a design application and although it does an incredible job of simplifying the animation process, it is by no means a traditional animation tool. Most people are familiar with Macromedia's popular vector-based design tool and for the most part Flash was the software of choice for these talented storytellers. Luckily, some of these issues were mitigated through the use of vector-based graphics. This presented a unique challenge for artists accustomed to twenty-six minutes of tightly synched dialogue. They discovered that online entertainment must be short form animation, with potentially very imprecise timing. Well, almost.įirst they had to contend with some pretty serious limitations. With the promise of an unprecedented audience, uncensored expression and unlimited capital, old world artists met new world technology with open arms. Adam Sandler, Matt and Trey, Jim Brooks, Tim Burton - they were all looking for their 15 Megs of fame. It's the summer of 2000 and the Web has seen more stars than the Hollywood Squares. Step 2: Onion skinning where we see the overlay of frames within an element. All images courtesy of Toon Boom Studio, a trademark of Toon Boom Technologies Inc. The new Text tool is even more regularly useful, both for creating scene props, such as posters and newspapers, and also in its own right, most obviously when creating animated banner ads.From sketch to animation using Toon Boom Studio. The Cutter tool lets you divide regions with a freehand stroke – essential to the setup of cut-out-based character animations. More significant is the introduction of two major new tools. TBS’s existing drawing power is impressive, but version 3 adds a number of useful tweaks, such as the ability to handle gradients and textures with the Reposition All tool, and to display invisible strokes over painted regions.
TOON BOOM STUDIO REVIEWS PDF
TBS also offers the ability to import Illustrator AI and PDF files along with basic scanning and raster-to-vector conversion, so that you can make use of external drawings. In addition, you can define set pens and fills to ensure consistency, and fills can be retrospectively changed wherever they appear. Alongside its core line-based path tools, shape-based brushes and interactive paint tool, TBS provides dedicated features for automatically and interactively closing gaps, for filling shapes created by multiple lines, for quickly painting multiple zones, for unpainting and so on. This is immediately apparent in TBS’s drawing capabilities. What it does do is offer dedicated users some extraordinary power. And TBS’s overly technical approach doesn’t do much to protect users from the inherent complexity either. By the time you’re dealing with a cut-out character animation with peg hierarchies for every limb and multiple phoneme cels for lip-synchronising, you need to know exactly what you’re doing. It sounds straightforward, but don’t be fooled – the end results of animation might look like child’s play but producing it is another matter.
To animate a bird flying across a scene, for example, you create different cels for each wing position, set up their sequence and time onscreen in the exposure sheet and then attach the bird’s wing and body sequences to a peg that you then drag across the screen to animate. The key concepts here are cels, the equivalent of transparent overlays the exposure sheet, by which the onscreen display of cels is controlled and pegs, to which cel sequences can be attached and then automatically transformed over time.
TOON BOOM STUDIO REVIEWS PROFESSIONAL
However, it’s important to realise that TBS is a very different beast to FutureSplash, based from the ground up on professional animation techniques.
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